StillNative launch Indiegogo campaign and plan Black Keys tribute set to fund second LP, release live DVD

stillnative, ottawa, blues, rock, indie,

One of Ottawa’s foremost bluesy rock n’ roll groups, StillNative (CastleRock Recs), are doing things a little differently for their second full-length album. Like more and more artists seem to be doing, they’re taking the DIY approach and launching a crowdfunding campaign on Indiegogo to fund it. Taking things into their own hands, StillNative seem to be doing everything right in order to build anticipation for the new record. Some perks available to fans willing to support their Indiegogo campaign are:

  • $15 – A digital pre-release of the new album
  • $25 – A signed physical album
  • $30 – Signed physical album + digital copy
  • $40 – An exclusive Patrick Steele EP
  • $40 – A music lesson
  • $40 – A B-sides and rarities DVD
  • $100 – The whole package
  • $200 – Prestige Package
  • $250 – Studio Day
  • $350 – House Show

For more details on the perks, go to StillNative’s campaign page. All dollar amounts are CAD. Continue reading

Doldrums Saturday Night Showcase: Keturah Johnson, Those Gulls, The Ticket, Cold Capital and Big Moan @ Cafe Dekcuf March 1

Keturah Johnson playing Cafe Dekcuf in Ottawa.

Keturah Johnson playing Cafe Dekcuf in Ottawa.

For the second night in a row I was spoiled with an all-local bill, this time thanks to Doldrums at Cafe Dekcuf. The Keturah Johnson, Those Gulls, The Ticket, Cold Capital and Big Moan delivered a great night. Continue reading

Eric’s Bluesfest 2013 Recap

Bluesfest 2013 is now just a memory, but I thought it would be fun to put together a bunch of top 5 lists about the fest.  I had an absolute blast this year and am already very excited for next year, which will be the 20th anniversary. So here you go a bunch of lists… and who doesn’t love lists?

The Specials performing at the RBC Bluesfest in Ottawa on Monday, July 8th, 2013 ~ RBC Bluesfest Press Images PHOTO/Mark Horton

The Specials performing at the RBC Bluesfest in Ottawa on Monday, July 8th, 2013 ~ RBC Bluesfest Press Images PHOTO/Mark Horton

Top 5 performances (click on the band for a link to the review)

  1. The Specials
  2. The Waterboys
  3. Neko Case
  4. Frank Turner
  5. Killer Mike

Top 5 moments (personal events, not directly related to a band’s performance)

  1. Seeing Wu-Tang Clan live with my little brother, Philip, who sang every single word.
  2. Assisting in popping my friend Tanya’s proverbial Bluesfest cherry on July 7th.
  3. Running into my friend’s mom, Joan, on a daily basis and talking about all the awesome bands we had seen.
  4. Spending the first weekend of the festivals with my guests, Marianne and Russel, who came all the way from Abitibi-Témiscamingue for the Bluesfest.
  5. Talking with the bass player for Flogging Molly and then having him remove a bug from my sleeve and drown it with beer.
Blues royalty, B.B. King rocked Bluesfest.  Yes there was blues at the festival.  PHOTO: Joseph Mathieu

Blues royalty, B.B. King rocked Bluesfest. Yes, there was blues at the festival. PHOTO: Joseph Mathieu

Top 5 things I would change about Bluesfest

  1. Making rules on lawn chairs. Enforcing a time ban (all chairs folded after 7 pm) or making a section in the back near the sound tent a designated chair area.  These chairs suck, and ruin the experience for everyone who is not sitting in them. If I truly had my way I would ban them from the festival completely.
  2. Hire local venue sound guys.  Once again there were several days of hit or miss sound at Bluesfest.  I would love to see local sound people from bars and clubs hired instead of a sound company that works for the NAC and events.  The locals, like the guy at Babylon, has experience doing all kinds of various styles in the same night, which by the sound of it is too much for Wall of Sound to handle.
  3. More water stations.  The two stations with free water were amazing, but it would be great to have one at every stage just like there are porta-potties.
  4. Keep the electronic acts to the side stages. Sure Dog Blood is fun and all… but he almost completely drowned out Los Lobos (a much better act in my mind) on the River Stage.  It’s insulting to the acts and the fans when all you can hear are the beats from someone’s laptop.  I know I sound like an old crusty (I am not) but why even have Los Lobos playing at this point?  Fix the sound balance or stop putting overly loud EDM on the main stage.
  5. Adding a couple of misting stations.  Most big summer festivals in North America have these.  It allows people to cool off and also is a great place to meet like-minded people while refreshing.  This also encourages people to stay at the festival or show up earlier.
A mist tent used at various Warped Tour locations.

A mist tent used at various Warped Tour locations.

Top 5 things I really liked about Bluesfest

  1. Outdoor urinals.  Sorry ladies go get yourselves a wiz-it.  It is excellent to not have to go lock yourself in an overheated plastic shit-scented dungeon.  I was peeing with a breeze at my back, it was great.
  2. Excellent variety of food at a reasonable price for a festival.  My shout outs go to Friday’s for their Organic Bluesfest Burger, which had caramelized onions and bacon on it, azs well as Casey’s for their always awesome Tornado Potato.
  3. Free sunscreen from the first aid tent. This is an amazing idea considering there is almost zero shade. They should probably advertise it a little more.
  4. Six dollar beers are very reasonable for a festival, as well as offering three kinds (granted all from Mill Street).
  5. The fact that a few local acts got to play the main stage.  I think it is wonderful of the organizers to give local acts a shot on the Bell Stage.  Give them a taste of the big time.  It must be quite the thrill compared to playing the 50-200 person venues most of them are use to.

Best covers performed during Bluesfest (Because I freaking love covers!)

  1. Mother Mother – Pixies: Cactus/Gauge Away, and then later in the set Nirvana: In Bloom
  2. Justin Towne Earl – The Replacements: Can’t Hardly Wait
  3. Frank Turner – The Weakerthans:  A Plea From a Cat Named Virtute
  4. Everlast – Johnny Cash: Folsom Prison Blues
  5. Grace Potter and the Nocturnals – Neil Young: Cinnamon Girl

Top 5 bands I would like to see next year (A man can dream, right?)

  1. Wilco
  2. Pearl Jam
  3. Arcade Fire
  4. Aretha Franklin
  5. The Smiths and/or Led Zeppelin reunion

Bluesfest Day 2: Frank Turner, Floggin Molly, She & Him, Ronnie Earl & the Broadcasters, Zac Brown Band

Dave King of the band Flogging Molly is seen here performing at the RBC Bluesfest in Ottawa on Friday, July 5th, 2013 ~ RBC Bluesfest Press Images PHOTO/Mark Horton

Dave King of the band Flogging Molly is seen here performing at the RBC Bluesfest in Ottawa on Friday, July 5th, 2013 ~ RBC Bluesfest Press Images PHOTO/Mark Horton

Two years ago my friends from Abitibi-Témiscamingue, Marianne and Russel, drove down for Bluesfest.  That night we got poured on for Rise Against and then the Black Keys got rained out.  Here we were two years later and as we made our way from the parking lot to the festival, it was raining sideways. Jinxed? Who knows, but the acts we saw certainly made it all worth while.

Frank Turner took the stage with his band the Sleeping Souls and quickly apologized for bringing British weather with them. I could care less about the rain as soon as he spoke the first word the opening song ”Four Simple Words.” Turner and his boys played a mostly high energy set, but did slow down to do an awesome cover.  He explained that one of his favourite bands out there is Winnipeg’s The Weakerthans, and that ”if you don’t know them you should go buy everything they ever released.” He then played their song ”A Plea From a Cat Named Virtute,” I was impressed with how many people in the crowd knew the words sang along.

You cannot go to a Frank Turner show and not get caught up in all the crowd participation opportunities.  From the clapping, to singing with him, to being back up vocals, to counting down songs, they are a band that refuse to let you sit around bored. They closed out with ”Photosynthesis” and ”Still Believe.”  ”Photosynthesis” had the whole crowd singing a long to ”I won’t sit down, I won’t shut up and most of all I will not grow up!” Mr. Turner your rock n roll can save our soul!

With the rain finally slowing it was time for a shot of Ireland thanks to Flogging Molly. The Guinness never stopped flowing and the Celtic punk rockers delivered a great performance. This was probably one of the only chances for people to get rowdy and mosh, and close to a hundred people took full advantage.  Lead singer, Dave King, asked at one point, ”I know this is Bluesfest, but you have no problem with some green right?” They dedicated their song ”Selfish,” to their ”ol’ pal Frank Turner,” and played a great mix of newer and older tracks.  Digging deep to play the songs that brought me to love the band over 10 years ago, such as ”Drunken Lullabies” and ”Rebel of the Sacred Heart.” They even played one of my all time favourites, ”If I Ever Leave This World Alive.” You have to love a punk rock band that integrates banjo, accordion, violin and mandolin into their act.  Flogging Molly never disappoint.

Now the rest of my night involved stage hopping as I was not attached to any of the headliners.  I first made my way to the River Stage for She & Him.  Not even the ultra cute Zooey Deschanel and the talented M. Ward could keep me there for more than a few songs.  They aren’t bad, but after a high octane Flogging Molly set, the light indie sounds could not capture me.  The go-go dancers/back up singers was a nice touch though.

Then off to the Black Sheep stage we went, to do something crazy.  Yes that is right, we headed to see some actual blues at Bluesfest.  Let that sink in for a second. Ok you still with me?  Ronnie Earl & the Broadcasters were playing there.  As we crested the hill to look down upon the stage we arrived just in time for a sweet sax solo followed by Ronnie shredding on his guitar.  We were grooving along and enjoying it, when all of a sudden we could hear Metallica from a far.  This is when we decided it might be time to go check out Zac Brown Band, as they were covering “Enter Sandman.”

On our way there we stopped for a little beer refill, only to find Nathen Maxwell, the bass player for Flogging Molly trying to get himself a drinking bracelet.  I was next in line when he finally convinced them that he was in the band and of age.  I got a chance to talk with him for a bit and as I thanked him for the great set, he reached over and grabbed a bug off my sleeve.  “What is this thing?” he said as he placed a thing that resembled a dragon fly maggot on the table while it shook from side to side.  He then poured some of his beer on it and said “If it is going to die, it might as well die drunk!”  We all had a laugh, kind of dark though.  And then continued on our way.

Zac Brown Band was exactly what I expected musically, country music about drinking and heartbreaks with a bunch of twang. But appearance wise, he looks more like he should be part of a metal band than a huge country star. The crowd was huge (country music sells, man) and singing every word.  Just when I thought we would have a decent little end of the night with some fun country, even if it is not my bag, a fight broke out beside us.  Yup, country music sometimes brings out the best in people. Stuck around for a couple more songs and then called it a night as we were soaked.

Day two in the books.  What do you have waiting for me, day three?

Ottawa Bluesfest preview #3: Local acts you shouldn’t miss

BLU_CT_Spotlight

Here is the third installment in our series of previews of the awesome local talent playing this year’s Ottawa Bluesfest. We’re hoping to do this weekly, to help you discover your new favourite Ottawa band or musician to see at the festival!

Amanda Rheaume

What to say about Amanda Rheaume.  She is Métis singer/songwriter with a powerful voice which has just the right touch of grittiness to it. This independent artist makes lovely roots and pop-folk music. She was the winner of the Live 88.5 Big Money Shot in 2008 and she never looked back. Amanda has released 3 full length albums, toured the country as well as Europe, she even had a stint in Afghanistan with Canadian troops.  Amanda just finished up her new album and I can not wait for it to be released.  It will be a little treck to go see Amanda play, as they have her playing at the Rideau Center at noon on Friday, July 12, but it will be worth it.

The Goodluck Assembly

The Goodluck Assembly are one of Ottawa’s premier alternative rock bands.  Formed by brothers Bruce and Mike Libbos and then complemented with the additions of Jamie Kronick and Matthew Mowbray the band is ready to show you what they got. Their latest album ‘Demonstrations’ was recorded in Brooklyn, New York, during Hurricane Sandy, with the help of  producers Gus Van Go & Werner F (The Stills, Hollerado, Les Trois Accords). The band has worked with producers who have recorded with such great bands, so you can ensure yourself that you are in for quite the treat.  Check out The Goodluck Assembly on July 8th at 7:00 pm at the River Stage.

John Carroll & The Epic Proportions

If you have ever walked by The Laffayette on a Wednesday nigth, you have already heard the great John Carroll.  If not, let me assure you that this traditional blues and country folk artist is not to be missed.  On top of that, consider the fact that instead of playing solo, he will have a full band by his side, The Epic Proportions. Many of Carroll’s songs are these epic tales told in such a way that you always wished there was another chapter.  You can read a previous review of one of his live performances I did here. But don’t settle for my review, go check them at on the River Stage at 1:45 on Sunday July 14th.

Steve Adamyk Band

There might not be a lot of punk rock at Bluesfest this year, but punk rocker don’t fret, the Steve Adamyk Band has you covered. The band was born from the ashes of two great Ottawa bands, Million Dollar Marxists and Sedatives. They play trash-pop inspired by seventies and eighties punk and nineties garage rock. These Ottawa rockers have taken their show on the road, playing Europe, SXSW, Sled Island festival and Juno Fest.  Their third album, called Third, was released in February of this year.  Check out the first single off Third, “Katacombs,” right below.  You can catch them on one of the main stages, the Bell Stage at 1:00 pm Sunday July 7th.

New Track: Kings of Lowertown – “Shotgun Preacher”

Kings of Lowertown, 60 More Miles, Ottawa, Blues

Soul king Mike Mackey’s project Kings of Lowertown released the first single off their new album 60 More Miles due out October 2013. The track, called “Shotgun Preacher” is a short but sweet preview of what to expect form the upcoming album, and boasts dirty sounding blues riffs along with distorted vocals. It seems that this song could have very well come right out of the heart of Nashville, but Pembroke native Mackey delivers a genuine style that intersects somewhere between Alabama 3, Tom Waits, and The Doors. Too bad The Sopranos is all over, because the song would have fit right in there. 60 More Miles will be the follow up to Kings of Lowertown’s first self-titled full length, which was featured on The Big Beat blog Best in Ottawa music 2012: 20 songs by 20 bands (Ottawa Citizen). Listen to the new track below.

 

John Carroll and Catriona Sturton at Pressed Cafe


John Carroll
, one of Ottawa’s premier storytellers, wowed a jammed packed Pressed Cafe, Saturday March 9th.

The boisterous cafe grew eerily silent as soon as John struck his first chord. Opening with the title track from his new record, “Everyone smokes in hell,” he set the tone for a great night of blues and folk rock.

The night was not all about John Carroll though.  Joining him on stage throughout his set was Catriona Sturton (renowned harmonica player) and Philippe Charbonneau (on bass).

Never one to be shy about rambling on between songs, John shared stories ranging from crossing the border through farmer’s fields to commenting on how you can’t be cool in Kemptville without owning a truck.

With a telephone patched in and duct taped to his mic stand he created a very cool effect on his voice for songs like “The Devil Comes Quick When You Call His Name” and “When the Robots Come”.  “When the Robots Come,” was one of my favourite parts of the evening since Catriona interlaced playing the harmonica with slow-motion robot dance moves while attacking John.

After John’s set, Catriona took to the stage.  The Ottawa multi-instrumentalist traded in her harmonica for an electric guitar and played original pieces, such as her song about her love for S & G Fries between Carling and Maitland.  Catriona may very well be the cutest person in the entire music industry.  With her soft voice, cute and funny rhyming lyrics, you can’t help but have a smile on your face during the entire set. My highlight of her set was a gorgeous piece where she looped several harmonica blasts (imagine Final Fantasy/Owen Pallett with a harmonica) while strumming along on her guitar.  Catriona is a complete treat to see live as a solo artist and as a harmonica player adding great depth to someone else’s sound.

To conclude the evening John and Philippe returned on stage to play “I Put a Spell on You,” by Screamin’ Jay Hawkins, an instrumental jam and finished the night with a the blues classic “Baby, Please Don’t Go” by  Big Joe Williams.

You can catch John Carrol every Wednesday night at The Lafayette for free, which will feel like stealing for any of you born before Napster.